Maureen Corrigan

Utopian communities don't fare much better in fiction than they do in real life. As the plot usually unfolds, a brave new world loses its luster fast when the failings of its founder are exposed, or when the community itself begins to morph into a cult. Think of Lauren Groff's Arcadia or Carolyn Parkhurst's Harmony, two recent novels that have imagined alternative communities and their inevitable crack-up.

Writer Ayelet Waldman's new memoir chronicles how she used a very low dose of LSD to treat her mood disorder. Maureen Corrigan has a review

Book critic Maureen Corrigan gives us her picks for the best holiday books of 2004. Her choices range from literary thrillers to a new biography of Ben Franklin.

Maureen Corrigan reviews a new collection of the most celebrated essays of Food and travel writer Betty Fussel.

I hesitate to say it, but the one word that characterizes my best books of 2016 list is "serious." These books aren't grim and they're certainly not dull, but collectively they're serious about tackling big, sometimes difficult subjects — and they're also distinguished by seriously good writing. Here are 10 that you shouldn't miss.

Critic Maureen Corrigan has watched the TV drama since its debut, though she admits she never thought it was any good. But now that the 1980s are over, she thinks Dallas's outlandish, greed-obsessed storylines no longer resonate with viewers.

Chabon's new novel is a collection of stories in which a dying grandfather tells the secrets of his life to his grandson. Critic Maureen Corrigan calls Moonglow "violent and very funny."

Book critic Maureen Corrigan reviews the third and final volume of renowned feminist historian Blanche Weisen Cook's biography of Eleanor Roosevelt.

Book critic Maureen Corrigan reviews a new collection of essays by poet Mary Oliver who has received many honors including the Pulitzer Prize and the National Book Award.

Britt Bennett's debut novel centers on three African-American friends dealing with their community's expectations and their own mistakes. Critic Maureen Corrigan says it is full of "mini epiphanies."