John Powers

Fresh Air's critic at large John Powers returns from the 2013 Cannes Film Festival with tales of the good, the bad, and the parties. He says Blue Is the Warmest Color was "the film of the festival" while Only God Forgives was the biggest disappointment.

In her classic '60s documentary, Shirley Clarke profiles a loquacious 33-year-old gay hustler who dreams of having a nightclub act. Her subject could hardly be more complex — and in examining him, she raises important questions about the relationship between fact and fiction.

A new documentary looks at obsessive fans of Stanley Kubrick's 1980 horror film The Shining, starring Jack Nicholson and Shelley Duvall. These fanatics look for hidden meanings in the movie, and while some of their theories sound outrageous, it's too simple to call such thinking deranged.

The celebration of Philip Roth's career reaches its peak in a new documentary — Philip Roth Unmasked — that will screen on PBS next week as part of the American Masters series. There's no doubt that Roth is a master, and not just an American one, but the film tiptoes around the novelist's dark ferocity.

In the Chilean film No, which is nominated for Best Foreign Language Film, a young ad man devises a campaign to vote the dictator Augusto Pinochet out of office using rainbows and catchy theme songs.

Reporter-turned-novelist Gene Kerrigan sets his story in Ireland after the 2008 financial crisis. The Rage is a boundlessly readable portrait of a country in which ordinary citizens have been hit the hardest and all the old certainties have vanished.

The 1971 John Schlesinger film, recently released on Blu-ray, tells the story of a love triangle and makes moving use of a trio from the opera Cosi fan tutte as the film's musical theme.

When it was released 32 years ago, Michael Cimino's revisionist Western was considered one of the most colossal flops in Hollywood history. Critic John Powers takes a second look at the film and concludes that it's clearly the work of one man --- he wanted you to remember it forever."

James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.

True Grit author Charles Portis is the cult writer for people who hate cult writers. He hasn't published a book since 1991, and reviewer John Powers says the short pieces collected in Escape Velocity have been treasured for decades, passed around like samizdat by Portis fans.