John Powers

In Let the Right One In, Eli and Oskar are both lonely 12-year-olds — but one of them happens to be a vampire. Critic-at-large John Powers calls the Swedish film "the best vampire movie in the last 75 years."

Matteo Garrone's epic film Gomorrah takes us into the world of the Camorra, an organized crime syndicate based in and around Naples. John Powers has a review.

David Potter's gripping, enigmatic writing for TV made him one of British culture's defining figures from the 1960s through the 1980s. Critic-at-large John Powers reviews the new DVD collection Dennis Potter: 3 to Remember.

Classical music critic Lloyd Schwartz reviews the first full recording of Allegro, the 1947 Rodgers & Hammerstein musical.

Critic-at-large John Powers reviews Harvard Beats Yale 29-29, the new documentary about the famous 1968 game.

Critic-at-large John Powers reviews a newly-released DVD of Roberto Rossellini's 1966 film The Taking of Power by Louis XIV. Originally made for Italian television, the costume-drama follows a rocky transfer of power amidst the lavish court rituals of 17th-century France.

Classical music critic Lloyd Schwartz reviews a new CD of Scott Wheeler's opera, based on a hymn to Boston by the New York poet Kenneth Koch. The disc captures a live performance by the Boston Cecilia choral society.

Critic John Powers says the beautifully shot films of Chinese filmmaker Jia Zhangke register what's getting lost in China's transformation — and why Jia is one of the most eminent directors of our time.

Critic-at-large John Powers salutes the Chilean-born writer and the new literary "It" boy, Roberto Bolano, who died in 2003. Bolano's novel, 2666, is a "massive epic of modernity," says Powers.

Once renowned for its artists, Italy seemed to vanish from the world stage in the '80s and '90s. But two new novels, Clash of Civilizations Over an Elevator in Piazza Vittorio and Sicilian Tragedee, show Italian culture enjoying an international comeback.