Terry Gross

Film critic Stephen Schiff says Disney thought of the animated classic as a high-brow work of art. Audiences disagreed -- and so does Schiff. The film works best when it doesn't take itself so seriously.

Critic Owen Gleiberman reviews the new, NC-17 rated film about the relationship between writers Henry Miller and Anais Nin, and Miller's wife, June. Gleiberman says the director Philip Kaufman fails to capture the authors' talent and passion -- but Uma Thurman shines as June.

Film critic Stephen Schiff says the new movie, with its darker tone, still retains the satirical edge of the Cohens's earlier work. Set in the prohibition era, Miller's Crossing features a cerebral plot and performances of a lifetime.

Film critic Stephen Schiff says GoodFellas is a thrilling exploration into the banality of evil. Based on the book Wiseguy, the film stars Ray Liotta and Robert DeNiro.

Film critic Stephen Schiff says Streep is best in comedies -- including this dysfunctional tale about a mother and daughter in Hollywood, written by Carrie Fisher, and adapted by her book of the same name.

Film critic Stephen Schiff has no taste for the high school movies that proliferated in the 1980s. But he likes films that celebrate youthful energy and rebellion against authority, like Pump Up the Volume. The movie, about a teenage radio DJ, features an excellent performance by star Christian Slater.

Film critic Stephen Schiff says the adaptation of the Roald Dahl novel features exceptional performances and a plot that's just the right level of scary. It's also the best movie by director Nicolas Roeg since the Man Who Fell to Earth.

Stephen Schiff reviews the new operatic, gothic action movie directed by Sam Raimi. He says it may not live up to its lofty, Phantom of the Opera-like pretensions, but he praises the film for its comic book-like exuberance.

Critic Owen Gleiberman reviews the director's new movie, a violent tale about young love. Despite an excellent performance by female lead Laura Dern, the film fails to capture balance of innocence and weirdness found in Lynch's other work.

Critic Owen Gleiberman reviews the home video release of the curiously high-quality exploitation movie, featuring excessive nudity and a surprisingly emotional center. He says its a better vehicle than Drugstore Cowboy for star Kelly Lynch's talent.