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Terry Gross at her microphone in 2018

Terry Gross

Terry Gross is the host and an executive producer of Fresh Air, the daily program of interviews and reviews. It is produced at WHYY in Philadelphia, where Gross began hosting the show in 1975, when it was broadcast only locally. She was awarded a National Humanities Medal from President Obama in 2016. Fresh Air with Terry Gross received a Peabody Award in 1994 for its “probing questions, revelatory interviews and unusual insight.” America Women in Radio and Television presented her with a Gracie Award in 1999 in the category of National Network Radio Personality. In 2003, she received the Corporation for Public Broadcasting’s Edward R. Murrow Award for her “outstanding contributions to public radio” and for advancing the “growth, quality and positive image of radio.” Gross is the author of All I Did Was Ask: Conversations with Writers, Actors, Musicians and Artists, published by Hyperion in 2004. She was born and raised in Brooklyn, NY, and received a bachelor’s degree in English and M.Ed. in communications from the State University of New York at Buffalo. She began her radio career in 1973 at public radio station WBFO in Buffalo, NY.

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11:26

The B-52s Go "New Age."

Vocalist Fred Schneider and singer/keyboardist Kate Pierson of the rock band The B-52's. In the late 70's, the group came to New York from Athens, Georgia and scored a hit with their song "Rock Lobster." Their danceable music and 60's style stood out among the new wave groups of New York's downtown music scene. They have a new album titled "Cosmic Thing."

03:42

Do the Right Thing: The Fresh Air Review

Unlike other film critics, Stephen Schiff isn't so troubled by the ambiguous ending of Spike Lee's third movie. Schiff admires the way Do the Right Thing smartly grapples with race relations, but he's frustrated by how inconsistent the characters are, a directorial flaw that serves the sometimes twisting plot.

03:49

Tim Burton's Long-Awaited "Batman"

Film critic Stephen Schiff says that the new take on the comic book superhero is downright Wagnerian. Despite minor pacing issues and a few weak plot points, it's a bleak, operatic take on film noir, with excellent performances throughout.

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