Soul and R&B

Part 1 of the Fresh Air interview with soul singer Little Anthony. He fronted the group the Imperials, and is still performing in New York.

Part 2 of the Fresh Air interview with Little Anthony. He talks about the making some of his hit records like "Shimmy Shimmy Cocoa Pop" and "Hurt So Bad." He performs regularly in New York, but hopes to reignite his recording career.

Many listeners aren't familiar with the New Orleans pianist Professor Longhair, but his songs have had a profound influence on the current generation of Louisiana musicians. Rock historian has this profile.

Raitt's first album in three years, called Nick of Time, was produced by Don Was of the band Was (Not Was). Rock critic Ken Tucker says its diverse songs showcase the singer and guitar player's rich voice and increasing accessibility.

William Bell had a decade-long career with the label. Rock historian Ed Ward says that, while Bell never had a mainstream hit, he made consistently great, literate soul music.

Rock critic Ken Tucker considers the recent trend of British bands taking their cues from American soul music, with varying success. Recent examples include songs by Simply Red, The Pasadenas, Boy George, and Fine Young Cannibals.

Ken Tucker returns with his latest countdown of noteworthy songs. His list features Roachford, Peter Case, Tim Finn, The Fabulous Thunderbirds, and Elvis Costello.

Staples' new album, Time Waits for No One, was produced by Prince. Early in life, she was discouraged from singing secular music, and later co-founded the gospel group The Staples Singers with members of her family.

Its easy for musicians to fall out favor in the city if they don't keep up with the latest sounds. But Lee Dorsey, who started singing at 35, was never interested in following the trends. Rock historian Ed Ward has this profile.

Rock and roll historian Ed Ward profiles Memphis soul musician and producer Willie Mitchell. Mitchell was a trumpeter whose own tastes ran to jazz and soul. But Mitchell enjoyed his greatest success as a producer and talent scout. He launched the careers of Al Green, Ann Peebles and O.V.Wright.

Rock historian Ed Ward examines the other side of Sly Stone. In the 60s and 70s Stone was the flamboyant leader of the group Sly and the Family Stone, but he was also an accomplished record producer.

Rock and roll historian Ed Ward talks about what happened to the blues from 1966 to the present. They were supposed to be dead during this period, but he says there are some eternals that keep going on no matter what.

Jazz trumpeter Lester Bowie. Bowie is considered one of the most original trumpeters in jazz, and a master of horn effects. Bowie started out playing with Saint Louis R&B bands. In 1969, he helped found the Art Ensemble of Chicago as an outlet for more eclectic and avant-garde jazz. Bowie also heads his own band, Lester Bowie's Brass Fantasy. They have a new album, called "Serious Fun."

Rock historian Ed Ward profiles Leon Huff and Kenny Gamble, creators of the Philadelphia International label -- one of the great black pop record labels of the early '70's.

Bandleader, singer, songwriter, and talent scout Johnny Otis. His musical career spans the big band era, rhythm and blues, and rock and roll. In the 40's he played and traveled with the big bands, with the Ink Spots and Louis Jordan. Later, with a pared down band, he was on the forefront of the rhythm and blues. He's credited with discovering Etta James, Big Mama Thornton, Jackie Wilson and Ernestine Anderson.

Rock critic Dave Marsh. Marsh is one of rock's most influential voices. He edited the Rolling Stone Record Guide and has written profiles of Bruce Springsteen and the Who. Marsh's new book is "The Heart of Rock and Roll: The 1001 Greatest Singles Ever Made."

Rock historian Ed Ward reacquaints us with the music of Louis Jordan. In the late 1940's he was one of the highest-grossing black acts in the country.

Rock historian Ed Ward profiles General Norman Johnson, and the long, convoluted path that led him to the group, the Chairmen of the Board.

Rock historian Ed Ward plays a retrospective of Santa Claus songs by black popular musicians from Charles Brown singing "Merry Christmas, Baby" in the 1940's to James Brown's "Santa Claus Goes Straight to the Ghetto" in the 1960's. Also features songs from: the Pilgrim Travelers, Roy Milton, Oscar McLollie and His Honey Jumpers, the Voices, the Marquees (not the Stax group), andClyde Lasley.

Rock historian Ed Ward look back ten years, to what was happening in music in 1980.