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Breaking the Sitcom Rules

The Days and Nights of Molly Dodd dispenses with laugh tracks and multi-camera shots, which allows the show to explore new territories in television comedy.

03:30
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Other segments from the episode on May 18, 1987

Fresh Air with Terry Gross, May 18, 1987: Interview with Sam Donaldson; Review of Henry Threadgill's album "You Know the Number"; Interview with Nadine Gordimer; Review of the television show "The…
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28:15

Confronting the President

ABC reporter Sam Donaldson is known for his loud, often aggressive manner of questioning President Reagan during press conferences and other news events. He believes his style is necessary, especially considering Reagan's predilection for secluding himself from the media.

Interview
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09:36

Novelist Nadine Gordimer

The white South African writer hopes that her works have educated her readers about the realities of apartheid in her home country. Her newest book is called A Sport of Nature.

Interview

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21:06

The Final "Days and Nights of Molly Dodd"

Actress Blair Brown of the Lifetime cable sitcom, "The Days and Nights of Molly Dodd." She plays a single, divorced woman living in New York. The show is in its last season; Molly, who is white, is forty and pregnant with the child of her late boyfriend, who is black.

Interview
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03:48

TV in the 1980s: The Big Picture.

Television critic David Bianculli gives his picks for the best shows of the 80s..the big surprise is that relatively few of them were on the three major networks.

Review

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Daughter of Warhol star looks back on a bohemian childhood in the Chelsea Hotel

Alexandra Auder's mother, Viva, was one of Andy Warhol's muses. Growing up in Warhol's orbit meant Auder's childhood was an unusual one. For several years, Viva, Auder and Auder's younger half-sister, Gaby Hoffmann, lived in the Chelsea Hotel in Manhattan. It was was famous for having been home to Leonard Cohen, Dylan Thomas, Virgil Thomson, and Bob Dylan, among others.

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This fake 'Jury Duty' really put James Marsden's improv chops on trial

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This Romanian film about immigration and vanishing jobs hits close to home

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