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Speech Therapist Sam Chwat on Changing Accents

Chwat's "New York Speech Improvement Services" attracts 200 to 250 clients a week. He taught Robert DeNiro how to gain an Appalachian accent for his role in "Cape Fear." Julia Roberts sought him out to relearn her southern drawl for "Steel Magnolias." He helped another southerner, Andie McDowell, after her lines for "Greystoke: The Legend of Tarzan" were dubbed by Glenn Close. Chwat also assists people in business, politics, and communications to lose their accents and learn Standard American English.

22:46
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Other segments from the episode on September 1, 1994

Fresh Air with Terry Gross, September 1, 1994: Interview with Sam Chwat; Interview with Nathan Lane; Review of the film "Fresh."
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16:26

Actor Nathan Lane Says Starring in "Guys and Dolls" Exceeded His Expectations

Lane is currently starring in the new Neil Simon comedy on stage, "Laughter on the 23rd Floor." He played Nathan Detroit in the Broadway revival of "Guys and Dolls." Playwright Terrance McNally has written roles for Lane and says, "I need an actor like Nathan to fully express myself. I can't do it with just the words." Lane starred in McNally's "The Lisbon Traviata," and in "Lips Together, Teeth Apart." He also was in the films "Frankie and Johnny," and "Life with Mikey,"

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22:44

Speech Therapist Sam Chwat Discusses Accents.

Speech Therapist Sam Chwat. Chwat's New York Speech Improvement Services attracts 200 to 250 clients a week. He taught Robert DeNiro how to gain an Appalachian accent for his role in "Cape Fear." Julia Roberts sought him out to relearn her southern drawl for "Steel Magnolias." He helped another southerner, Andie McDowell, after her lines for "Greystoke: The Legend of Tarzan" were dubbed by Glenn Close.

Interview
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44:48

Director Martin Scorcese

As part of a retrospective of his work by the Film Society of Lincoln Center, The Department of Cinema Studies at Tisch School of the Arts presented "An Evening With Martin Scorsese," a wide-ranging question and answer session taped live before an audience at New York University. We play portions of this discussion, where Scorcese examines the art of cinema and his own body of work.

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