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Writer V.S. Naipaul

Naipaul was born to Indian Hindu parents in Trinidad. His international perspective has informed both his fiction and nonfiction, which are often set in post-colonial countries. His newest book, A Turn in the South, explores the culture of the United States' Southern states.

27:29
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Other segments from the episode on March 6, 1989

Fresh Air with Terry Gross, March 6, 1989: Interview with V.S. Naipaul; Commentary on women rockabilly stars; Interview with Mandy Patinkin; Review of the television show "Anything but Love."
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06:32

Why Wasn't There a Female Elvis?

Rock historian Ed Ward says there were actually several women who could fit the bill, all of whom recorded and performed at the same time a Presley. These artists included Wanda Jackson, Janis Martin, and Lonnie Mack -- none of whom endured, according to Ward, because of restrictive expectations of women's roles.

Commentary
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09:14

Musical Theater Actor Mandy Patinkin

Patinkin had no formal training as a singer, but he's found fame starring in musicals like Evita and Sunday in the Park with George. He's also appeared in the films Yentl, Ragtime, and The Princess Bride, among others. Patinkin has a new self-titled album of songs from the stage and screen.

Interview
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03:13

"Anything but Love" Is Anything but Cutting-Edge

TV critic David Bianculli calls the new sitcom, starring Jamie Lee Curtis and Richard Lewis, has an intriguing premise and promising cast, but it follows a familiar, cookie-cutter formula, and its writing needs work.

Review

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04:46

Four Years On, Salman Rushdie Is Lost to Sectarianism

Book critic John Leonard remarks on the fourth anniversary of the death-sentence that sent writer Salman Rushdie into hiding. He says that, despite support from the literary community, Rushdie has been unfairly mocked by critics and journalists.

Commentary
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03:54

Unpacking the "Satanic Verses" Controversy

Novelist Salman Rushdie's new book has been banned in several countries because of what many see as its blasphemous take on Islam. Book critic John Leonard says the novel is indeed blasphemous, but Rushdie directs his ire ecumenically, critiquing Indian culture and Margaret Thatcher as well. The narrative is messy, but it's the messiness that makes it interesting.

Review

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