Neal Katyal wrote the special counsel regulations when he worked under President Clinton. Now he lays out the legal issues that could arise if Trump tries to interfere with the Mueller investigation
A new 20-disc box set contains over 500 performances from the Shreveport, La., program that served as a talent showcase for country acts in the 1950s — including Hank Williams and Elvis Presley.
New Yorker journalist Evan Osnos says Chinese leaders think of President Trump as a "paper tiger" who makes promises he can't deliver and who can be "managed" with flattery.
British neuroscientist Joseph Jebelli details new research into how Alzheimer's attacks the brain, and how scientists are trying to find ways of treating this disease in his new book 'In Pursuit of Memory.'
Book critic Maureen Corrigan who was a fan of Sue Grafton, has an appreciation of the mystery writer who died at the age of 77 on December 28th. And then we hear an excerpt of Terry's 1989 interview with Grafton.
You might think that Sánchez's Spanish-French-Cuban-Canadian-Israeli quintet would go haywire with so many rhythmic accents in play, but critic Kevin Whitehead says the composer pulls it all together.
In a year dominated by stories of sexual harassment and abuse, Fresh Air's movie critic says his favorite films featured voices that aren't heard from enough.
The Atlanta-based musician blends contrasting pop genres on his second album. Rock critic Ken Tucker says Face Your Fear reveals Harding's deep knowledge of R&B.
Rudd started out playing dixieland before graduating to free jazz. Now he's collaborating with singer Fay Victor on his latest album. Critic Kevin Whitehead says Embrace has a "valedictory air."
Paul Thomas Anderson's new movie stars Daniel Day-Lewis as a British women's fashion designer in the 1950s. Critic David Edelstein says the film is an amusing portrait of artistic and marital anguish.
Fresh Air's TV critic spends a lot of time watching television — in part because there are so many great shows to watch. Godless, Curb Your Enthusiasm and Fargo are also among his favorites.
The longtime host of All Things Considered will retire in January. NPR had only been on the air for five years when Siegel started in 1976. "So we really could make it up as we went along," he says.
Steven Spielberg's new drama revisits The Washington Post's 1971 decision to publish the Pentagon Papers in defiance of the Nixon administration. Justin Chang calls it "terrifically entertaining."
Jonathan Olshefski spent 10 years filming Christopher Rainey and his family, who run a recording studio in a working-class African-American section of North Philadelphia. Then their daughter was shot.
Kevin Whitehead remembers alto saxophonist Arthur Blythe, pianist Geri Allen, guitarist John Abercrombie and singer Jon Hendricks. Each "helped shape jazz after the upheavals of the 1960s," he says.
Dagoberto Gilb was fulfilling a dream to be in Mexico City for an extended stay when an earthquake struck on Sept. 19, 2017. Amidst the destruction, he says, there was a feeling of collective resolve.
Moral Combat author R. Marie Griffith says the fight for women's suffrage and legal birth control in the early 20th century helped create a political divide in the U.S. that still exists today.
Film critic Justin Chang picks his top 12 movies of the year, pairing them thematically, from Call Me By Your Name and The Florida Project, to War For The Planet of the Apes and Dunkirk.
"I don't use my life as inspiration," says the Pulitzer Prize-winning novelist. Her new book, Manhattan Beach, imagines the lives of the women who worked on the Brooklyn Navy Yard during World War II.
No collection of songs this year cohered to form a better picture of our collective mood than Kendrick Lamar's album DAMN. The rapper talks about feeling put-upon and abandoned, besieged and misunderstood, loved and hated. He samples voices from the Fox News channel; on the cut called "LUST.," he has a line about waking up "hoping the election wasn't true." His distinctive delivery is characterized by a flurry of syllables enunciated with hammering force. No matter how many times I hear it, it's thrilling.
