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21:44

Literary Forensics Expert Don Foster.

Literary forensics expert Don Foster. Named the first literary detective of all time, he uncovered the identity of Joe Klein as the Anonymous writer of 1996’s “Primary Colors”. His new book is “Author Unknown: On the Trail of Anonymous” (Henry Holt, Inc.) which details the techniques he uses to identify writers behind anonymous books and documents. He teaches English at Vassar College.

Interview
05:38

On Community.

Linguist Geoff Nunberg has a commentary on the idea of community. A controversial recent book by Harvard political scientist Robert Putnam argues that community participation is in sharp decline in American life, but Nunberg says the word “community” is being used more frequently than ever.

Commentary
05:23

The Use of the Word "Jew."

Linguist Geoff Nunberg takes a look at the trouble the media had trying to find the words to describe vice presidential candidate Joseph Lieberman.

Commentary
26:23

The Word Tsar of the New York Times.

Assistant Managing Editor of The New York Times, Allan Siegal. He oversees usage and style at the Times. A revised and expanded edition of his “The New York Times Manual of Style and Usage” (Times Books) has just been published.

Interview
05:31

The Problem with "Censorware."

These days, there’s a lot of public concern about objectionable content on the Web. Fresh Air’s Linguist Geoff Nunberg discusses the problems with so-called “censorware”, the software programs that claim to screen out pornography and other offensive material.

Commentary
14:48

The Miss Manners of Grammar.

Senior editor at The Atlantic Monthly, Barbara Wallraff, and author of the magazine’s “Word Count” column. Her new book about language usage is “”Word Count: Wherein verbal virtue is rewarded, crimes against the language are punished, and poetic justice is done” (Harcourt).

Interview
05:49

"Beowulf's" 1000th Anniversary.

Enter Linguist Geoff Nunberg on the epic Anglo-Saxon poem "Beowulf" -- which is considered to be the origin of English literature and which has been newly translated by poet Seamus Heaney.

Commentary

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