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03:51

The False Crisis of Poor Enunciation

Linguist Geoff Nunberg says that the attention paid to how people talk says more about class status and regionalism than a decline in effective communication. He explains.

Commentary
04:01

The Fate of Underworld Slang.

Linguist Geoffrey Nunberg examines what has happened to underworld slang. He says it no longer thrives the way it did in centuries gone by.

Commentary
03:39

The Californian Accent(s).

Language commentator Geoffrey Nunberg has some thoughts on the different accents you'll find in California. Not all of them are as distinctive as those of a "Valley Girl." (originally broadcast 3/9/88).

Commentary
03:22

Replacing Swearing with Smut.

Linguist Geoffrey Nunberg tells us why cursing ain't what it used to me. He explains how in Elizabethan times an oath carried with it the true fear of God. (Note: Nunberg uses some examples in this commentary, for example "Jesus Christ!" "Goddamn it," and "son of a bitch.")

Commentary
03:48

Nostalgia for Language.

Linguist Geoffrey Nunberg gives his views on Prince Charles' campaign to save the English language.

Commentary
04:03

The Art of "Doublespeak."

Linguist Geoffrey Nunberg reviews a new book called "Doublespeak" by William Lutz, chairman of the Committee on Public Doublespeak of the National Council of Teachers of English. Lutz has been keeping files with examples of doublespeak used in politics and advertising and has compiled some of them in his book.

Review
03:40

The Bungled Anglicism

Linguist Geoffrey Nunberg examines the epitome of Americans trying to cop some highbrow British style, using the word "shall" when they mean "will."

Commentary
03:43

Do Judge a Book by its Jacket Blurb.

Linguist Geoffrey Nunberg examines the blurbs on book jackets...those hyperbolic quotes that declare seemingly every new book to be "a blockbuster" or "runaway best-seller."

Commentary
03:40

"The Dada and Surrealist Word-Image."

Linguist Geoffrey Nunberg looks at the influence of the word on the visual arts...starting with the Dada movement and the montage works of the 30s, up to current poster and electric sign work by Jenny Holzer.

Review

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