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06:44

Steve, Myself And i: The Big Story Of A Little Prefix.

The "i" prefix began as an abbreviation for the word "Internet," but ended up being much more than that. "By the time i- was fleshed out, Apple had transformed itself from a culty computer-maker to a major religion," says linguist Geoff Nunberg.

Commentary
44:04

Poet Marie Howe Reflects On The 'Living' After Loss.

"Poetry holds the knowledge that we are alive and that we know we're going to die," poet Marie Howe tells Fresh Air's Terry Gross. One of Howe's most famous poems, "What the Living Do," was recently included in The Penguin Anthology of 20th-Century American Poetry.

Interview
44:24

A 'Marriage Plot' Full Of Intellectual Angst.

Jeffrey Eugenides' third novel, The Marriage Plot, charts the lives of three young adults as they finish college, fall in love and navigate the real world after graduating from Brown University in 1982. Eugenides, also a Brown alum, based some of the novel on his own experiences directly after college.

Interview
06:07

Unlike Most Marxist Jargon, 'Class Warfare' Persists.

Words like "proletariat" and "masses" have largely left the lexicon, but linguist Geoff Nunberg says "class warfare" is a specter that haunts the English language — whenever there are appeals for making the rich pay more.

Commentary
17:25

In 'Arabia,' Writing Life As You Wish You'd Lived It

Dana Spiotta's third novel, Stone Arabia, is about an aging musician who never achieved the type of success he'd have liked. Rather than giving up, he chronicles an imaginary version of his life — as a successful rock star recording his career in a series of journals.

Interview
20:36

This Pig Wants To Party: Maurice Sendak's Latest

Bumble-ardy is a deeply imaginative tale about an orphaned pig who longs for a birthday party. Sendak, who is 83, wrote and illustrated the book while caring for his longtime partner, who died of cancer in 2007. "I did Bumble-ardy to save myself," Sendak says. "I did not want to die with him."

Interview
07:52

'Porgy And Bess,' Adapted For Modern Times

Classical music critic Lloyd Schwartz just attended two productions of Porgy and Bess: an operatic performance at Tanglewood and a musical-theater version in Cambridge, Mass. He says it can work either way, "as long as Gershwin's great score remains its heart and soul."

Review
05:31

No Language Legacy: Where's The Sept. 11 Vocab?

The terrorist attacks of Sept. 11, 2001, linger in our thoughts, but not so much in our speech. Linguist Geoff Nunberg says "it's striking that 9/11 and its aftereffects have left almost no traces in the language of everyday life."

Commentary
06:14

'Scarface': Over-The-Top, But Ahead Of Its Time

In 1983, critic John Powers panned the Pacino film, saying it was trashy and shallow. But he recently watched the film again, and says that in retrospect, he can see how the film burned its way into the national psyche.

Review
05:18

Four Hours In 'Lisbon': A Rich And Dreamy Voyage

Raoul Ruiz's 4 1/2 hour Portuguese/French melodrama -- a puppet theater of the upper class -- won't be everybody's cup of tea. But critic David Edelstein says the film's haunting mix of distance and intimacy makes the hours fly by.

Review
06:08

Heavy-Handed 'Help' Saved By Great Acting

Emma Stone and Viola Davis star in the film adaptation of Kathryn Stockett's best-selling novel about a white woman who sets out to tell the story of black domestic servants in 1960s Mississippi. Critic David Edelstein says that both Stone and Davis pull off stunning performances.

Review
06:23

A Delightful Portrait Of The Screwball 'Family Fang'

In Kevin Wilson's first novel, husband-and-wife conceptual artists stage elaborate public acts of "choreographed spontaneity" -- to the embarrassment of their children. Wilson's inventive energy makes The Family Fang a strange, wonderful and refreshing read in the summer heat.

Review
08:30

'Sweethearts' On-Screen, But What Happens Off?

Fred Astaire and Ginger Rogers weren't the only famous Hollywood musical team of the 1930s. Jeanette MacDonald and Nelson Eddy also starred in a series of operettas. But classical music critic lloyd Schwartz says the couples achieved their success in quite opposite ways.

Review

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