Theater

Critic Ken Tucker revisits the classic Jack Nicholson film, now on home video. He says the movie is idiosyncratic, but fizzles out by the end, after Nicholson's character has killed off so many of his emotions.

The new film, a thriller about drug smuggling, was written by Robert Towne, who is considered by many to be the best screenwriter in Hollywood. Film critic Stephen Schiff says the movie is a sensual feast.

Television critic David Bianculli reviews the new show TV 101, about a student who covers his high school's news on closed-circuit television. Bianculli says the premise and cast are excellent; he only hopes that the show can eventually live up to its potential.

TV critic David Bianculli says that the new CBS drama, about a couple's marriage and divorce, reminds him of the Wonder Years, Moonlighting, and Thirtysomething. The flashbacks to past decades are novel, but replete with unrealistic dialogue and stilted references to pop culture of the time.

Sondheim briefly wrote for the television show Topper before becoming the lyricist for the Broadway hits West Side Story and Gypsy. A trained composer, he later began writing his own musicals which, Sondheim says, continued in the Rogers and Hammerstein tradition. They include Sweeney Todd, A Funny Thing Happened on the Way to the Forum, and Into the Woods.

The new film Cry in the Dark dramatizes the true story of Lindy Chamberlain, who was wrongfully convicted of infanticide while camping in Australia. Film critic Stephen Schiff says the movie proves Schepisi is a great director.

Actor Robert Prosky is best known for his performance as a role call sergeant in Hill Street Blues. He appears in David Mamet's new movie Things Change. For 23 years he worked at Washington, DC's Arena Stage.

The sequel to the lackluster Winds of War is well worth the time, says TV critic David Bianculli. The miniseries about World War II already has a third installment in the works, which is slated to air next year.

Jonathan Katz stars as standup comedian Jackie Shore in the new movie Things Change, which was written by his friend David Mamet. Katz played a con man in the earlier Mamet movie House of Games, which Katz says was loosely based on their experience as small-time ping pong hustlers.

Stephen Schiff says that director Leonard Nimoy's adaptation of Sue Miller's novel is lifeless, but Diane Keaton's performance might justify the cost of a ticket.

TV critic David Bianculli reviews the updated version of the 1960s spy show. He says it's a fun watch, especially seeing the updated technology, but he can't help but notice a few careless gaffes in the script.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

Classical music critic Lloyd Schwartz reviews an all-star recording of Stravinsky's jazz-inspired theater piece, which features Sting, Ian McKellen, and Vanessa Redgrave.

TV critic David Bianculli reviews several shows from the upcoming television season.

Critic Ken Tucker reviews Alysssa Milano's exercise video Teen Steam, which is geared toward teenage girls; adults caught watching it can't help feeling faintly unclean, he says. He also recommends new releases of Withnail and I and Rambo III.

The director trades comedy for drama in his latest movie. Film critic Stephen Schiff says the story explores the tired, false dichotomy of thinking versus feeling; and the dialogue leaves much to be desired.

Clint Eastwood's biopic Bird delves deep into the personal life and legend of Charlie Parker. Jazz critic Kevin Whitehead says the story fails to connect these often tumultuous moments with the genius of Parker's music.

Critic-at-large Laurie Stone recently saw the Dian Fossey biopic. She praises the film's power and compassion, fueled in large part by star Sigourney Weaver's outstanding performance.

Film critic Stephen Schiff bemoans Hollywood's current preoccupation with courtroom dramas -- most, he says, aren't very good. The new Jodi Foster movie The Accused, loosely based on a high-profile gang rape trial, leans too heavily on the lurid details of the case, and not enough on developing an interesting narrative.

Korder's play, about a television journalist, is being adapted into a TV movie for HBO. He talks about his frustration with the static nature of television writing, and what it takes to craft great dialogue.